Prophetic knowledge, trauma and gendered violence in Faith Ben-Daniels’ A Quarter Past Midnight (2013)

##plugins.themes.bootstrap3.article.main##

Jonathan Essuman
Esther Tontoh

Abstract

Prophetic knowledge, trauma, and gendered violence converge as central concerns in Faith Ben-Daniels’ A Quarter Past Midnight (2013), a contemporary Ghanaian novel that engages deeply with spiritual causation and the burden of long-held secrets within a family and community setting. The novel sits within a longstanding tradition in African fiction and cosmology of treating the supernatural not as fantasy but as a coherent and operative worldview shaping how characters understand fate, obligation, and consequence. This article takes a look at how the novel deploys prophetic knowledge and supernatural causation as narrative mechanisms for surfacing trauma and enacting gendered violence Adopting Supernaturalism as its theoretical framework, and drawing on its treatment in, comparative literary criticism, and African literary studies , the article undertakes a close textual reading of key moments in the novel, treating its spiritual causation  deity pacts, prophetic countdowns, and spiritual reckoning  as an internal cosmological logic instead superstition requiring secular explanation. The analysis demonstrates that this supernatural authority governs the novel’s treatment of inherited suffering and its consequences, tracing how trauma is transmitted across generations before erupting into gendered violence that repeats not only resolves. The article finds that prophecy in the text functions not  as foreshadowing but as binding spiritual contract, structuring the plot’s climax around foretold obligation rather than open-ended threat. The article recommends wider critical adoption of Supernaturalism and related frameworks for reading African texts on their own cultural terms. The article contributes a  critical reading of A Quarter Past Midnight (2013), positioning Supernaturalism as a necessary and longstanding lens for understanding how prophecy, trauma, and gendered violence are bound together in the novel’s narrative structure.

##plugins.themes.bootstrap3.displayStats.downloads##

##plugins.themes.bootstrap3.displayStats.noStats##

##plugins.themes.bootstrap3.article.details##

How to Cite
Essuman, J., & Tontoh, E. (2026). Prophetic knowledge, trauma and gendered violence in Faith Ben-Daniels’ A Quarter Past Midnight (2013). Research Journal in Modern Languages and Literatures, 7(1). https://doi.org/10.58256/6pk7hc96
Section
Articles

How to Cite

Essuman, J., & Tontoh, E. (2026). Prophetic knowledge, trauma and gendered violence in Faith Ben-Daniels’ A Quarter Past Midnight (2013). Research Journal in Modern Languages and Literatures, 7(1). https://doi.org/10.58256/6pk7hc96

References

Adam, E., & Brooks, J. (2020). William Blake: Visionary. Getty Publications.

Ben-Daniels, F. (2013). A Quarter Past Midnight. Flozzies Publications.

Ben-Daniels, F. (2022). Discussing the subject matter of the supernatural in African literature: Old and new. Hybrid Journal of Literary and Cultural Studies, 4(2). https://doi.org/10.58256/hjlcs.v4i2.881

Ben-Daniels, F. (2022). Discovering the self in Ukamaka Olisakwe’s Ogadinma (2020). Research Journal in Modern Languages and Literatures, 3(2). https://doi.org/10.58256/jmll.v3i2.1132

Ben-Daniels, F., Essuman, J., & Ndonibi, R. (2025). The other trauma: A discussion of Khaled Hosseinni’s And the Mountains Echoed (2013). Research Journal in Advanced Humanities, 6(1). https://doi.org/10.58256/g93n8a68

Bryce, J. (2019). African futurism: Speculative fictions and “rewriting the great Book.” Research in African Literatures, 50(1), 1–19. https://doi.org/10.2979/reseafrilite.50.1.01

Droll, A. M. (2018). ‘Piercing the veil’ and African dreams and visions: In quest of the pneumatological imagination. Pneuma, 40(3), 345–365. https://doi.org/10.1163/15700747-04003003

Greer, A. (2017). Murder, she spoke: The female voice’s ethics of evocation and spatialisation in the true crime podcast. Sound Studies, 3(2), 152–164. https://doi.org/10.1080/20551940.2018.1456891

Kay, J. B. (2020). Gender, media and voice: Communicative injustice and public speech. Palgrave Macmillan. https://doi.org/10.1007/978-3-030-47287-0

Levine, C. (2019). The prophetic fallacy: Realism, foreshadowing, and narrative knowledge in Romola. In C. Levine & M. W. Turner (Eds.), From author to text: Re-reading George Eliot’s Romola (pp. 135–163). Routledge. https://doi.org/10.4324/9780429427015-9

Lovecraft, H. P. (2013). Supernatural horror in literature. Wermod and Wermod Publishing Group.

MacManus, V. B. (2015). “We are not victims; we are protagonists of this history”: Latin American gender violence and the limits of women’s rights as human rights. International Feminist Journal of Politics, 17(1), 40–57. https://doi.org/10.1080/14616742.2013.817847

Murray, J. (2017). ‘And they never spoke to each other of it’: Contemporary Southern African representations of silence, shame and gender violence. English Academy Review, 34(1), 23–35. https://doi.org/10.1080/10131752.2017.1333216

Nnolim, C. E. (2006). In search of new challenges: African literature and criticism in the twenty-first century. Currents in African Literature and the English Language, 4, 1–9.

Ojiakor, C., & Ezenwamadu, N. (2018). Supernaturalism in African literature: A study of Laye’s The African Child and Amadi’s The Concubine. International Journal of Social Sciences and Humanities Reviews, 8(1), 197–208.

Rouabhia, R., & Öztürk, A. S. (2025). The seer’s bowl and the broken mirror: Mystical temporality and postcolonial trauma in Chigozie Obioma’s The Road to the Country [Preprint]. SSRN. https://doi.org/10.2139/ssrn.5650110

Serafini, S. (2025). Italian crime fiction revisited: Authority, detection, and the supernatural, 1861–1941. Palgrave Macmillan. https://doi.org/10.1007/978-3-031-80736-7

Shaw, S. M., & Lee, J. (2022). Gendered voices, feminist visions: Classic and contemporary readings (8th ed.). Oxford University Press.

Smajić, S. (2009). Supernatural realism. Novel: A Forum on Fiction, 42(1), 1–22. https://doi.org/10.1215/00295132-2008-001

Steenkamp, L.-M. (2019). Place, space and patriarchal femininities in selected contemporary novels by African women writers [Doctoral dissertation, University of the Western Cape]. UWC Scholar. https://hdl.handle.net/10566/9628

Titlestad, M. (2015). Future tense: The problem of South African apocalyptic fiction. English Studies in Africa, 58(1), 30–41. https://doi.org/10.1080/00138398.2015.1045159

Wielenberg, E. J. (2016). Metz’s case against supernaturalism. European Journal for Philosophy of Religion, 8(2), 27–34. https://doi.org/10.24204/ejpr.v8i2.1683