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As a specific cultural mode of expression, evidence abounds that dance is an appropriate site for the investigation of history, ideology, politics and human organization in society. Dance also demonstrates that it has a relationship with its socio-historical context and does not only simply ‘reflect’ the value systems, customs and habits of a society but actively constructs them. These ideas are expressed in a variety of codes and bodily aesthetics, some of which are relatively stable while others are in a state of continuous flux. This paper explores expressions and meanings in Ijerije and Swange dances of Idoma and Tiv in the Benue valley and affirms that signs and their meanings are often constrained by contextual factors. Fundamentally, the paper surveys the relationship between the semiotic disposition of culture and the signifying status of dance in some Nigerian cultures. Using a sociosemiotic orientation as framework and exemplification by means of case studies, the paper focuses on dance expressions of Idoma and Tiv to argue that dance is simultaneously a feature of the socio-cultural context of its emergence or creation and performance and a reflexive practice realised through the medium of the body. It concludes that dances of Nigerian traditional origins are embodied in profound metaphors and idioms projecting the politics, history, ethics, philosophy as well as the ever changing mores of Idoma and Tiv societies.
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