Published: 2020-01-08

Articles

Concomitants of socio-cultural exigencies on narrative preferences in the Kenyan “Riverwood” film

John Mugubi, William Mureithi Maina

7-36

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DOI: https://doi.org/10.58256/njhs.v1i1.14

An exploratory study of a woman in Ekegusii through the lens of the conceptual metaphor theory

Aunga Solomon Onchoke, Xu Wen

37-52

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DOI: https://doi.org/10.58256/njhs.v1i1.15

How Private Memory Intersects With and Informs Public History in Selected Works of Abdulrazak Gurnah

Seraphine Chepkosgei Kerich

51-73

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DOI: https://doi.org/10.58256/njhs.v1i1.16

Textualization of History in Poems from East Africa by Cook and Rubadiri

Bwocha Nyagemi

87-101

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DOI: https://doi.org/10.58256/njhs.v1i1.17

Beyond the Borders of Silence: A Question of Power in Chimamanda Ngozi Adichie’s Purple Hibiscus

Rosemary Okayo Murundu

102-119

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DOI: https://doi.org/10.58256/njhs.v1i1.18

Artistic expressions as conflicts resolution process: A study of selected works

Echezonachukwu Nduka

120-132

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DOI: https://doi.org/10.58256/njhs.v1i1.354

The impact of foreign films on Nigerian youths using ‘Mad Money’ as a paradigm

Danbello Ibrahim Ahmadu

133-146

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DOI: https://doi.org/10.58256/njhs.v1i1.356

A historical perspective on the evolution and presentations of the ideal in children’s television: A study of Kenyan television from 1989 to 2012

Beneah Shapaya

147-165

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DOI: https://doi.org/10.58256/njhs.v1i1.355