Vol. 1 No. 1 (2017)

Articles

• Concomitants of socio-cultural exigencies on narrative preferences in the Kenyan “Riverwood” film

  John Mugubi, William Mureithi Maina

  7-36

  Abstract views: 158

  https://doi.org/10.58256/njhs.v1i1.14

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• An exploratory study of a woman in Ekegusii through the lens of the conceptual metaphor theory

  Aunga Solomon Onchoke, Xu Wen

  37-52

  Abstract views: 113

  https://doi.org/10.58256/njhs.v1i1.15

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• How Private Memory Intersects With and Informs Public History in Selected Works of Abdulrazak Gurnah

  Seraphine Chepkosgei Kerich

  51-73

  Abstract views: 146

  https://doi.org/10.58256/njhs.v1i1.16

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• Textualization of History in Poems from East Africa by Cook and Rubadiri

  Bwocha Nyagemi

  87-101

  Abstract views: 392

  https://doi.org/10.58256/njhs.v1i1.17

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• Beyond the Borders of Silence: A Question of Power in Chimamanda Ngozi Adichie’s Purple Hibiscus

  Rosemary Okayo Murundu

  102-119

  Abstract views: 265

  https://doi.org/10.58256/njhs.v1i1.18

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• Artistic expressions as conflicts resolution process: A study of selected works

  Echezonachukwu Nduka

  120-132

  Abstract views: 86

  https://doi.org/10.58256/njhs.v1i1.354

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• The impact of foreign films on Nigerian youths using ‘Mad Money’ as a paradigm

  Danbello Ibrahim Ahmadu

  133-146

  Abstract views: 470

  https://doi.org/10.58256/njhs.v1i1.356

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• A historical perspective on the evolution and presentations of the ideal in children’s television: A study of Kenyan television from 1989 to 2012

  Beneah Shapaya

  147-165

  Abstract views: 134

  https://doi.org/10.58256/njhs.v1i1.355

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